Jonathan Berry is a director and teacher in Chicago. His Steep productions include Ross Dungan's The Life and Sort of Death of Eric Argyle, Nick Payne's If There Is I Haven't Found it Yet, John Donnelly's The Knowledge, David Eldridge's Festen, Deirdre Kinahan's Moment, Howard Korder's The Hollow Lands and Brecht's The Resistible Rise of Arturo Ui. For Griffin Theatre, where he is an Artistic Associate, his productions include Odets' Golden Boy, Miller/Tysen's The Burnt Part Boys, Sheik/ Sater's Spring Awakening, the North American premieres of Simon Stephens' Punk Rock (Jeff award Director, Lead Actor, and Ensemble) Port, and On the Shore of the Wide World, Stephen Sondheim's Company, William Inge's Picnic, JB Priestely's Time and the Conways, Sidney Kingsley's Dead End, Brendan Behan's The Hostage and R.C. Sheriff's Journey's End. He was the Assistant Director for Anna D Shapiro's Broadway productions of Of Mice and Men and This is our Youth. Steppenwolf productions include the SYA production of A Separate Peace, and the world premiere of Melinda Lopez's Gary as well as the staged reading of Suicide, Incorporated. At the Gift Theatre he has directed the world premieres of both Dirty and Suicide, Incorporated by Andrew Hinderaker, as well as Will Nedved's 6. His Goodman Theatre productions include The Solid Sand Below and The World of Extreme Happiness for their New Stages Festival.
His other work includes Redtwist's Look Back in Anger and Reverb; Chicago Dramatists' I am Going to Change the World; Jackalope Theatre's The Casuals; Strawdog's Conversations on a Homecoming, Remy Bumppo's The Marriage of Figaro; Theatre Mir's Bond's The Sea and Brecht's Caucasian Chalk Circle, and Lifeline Theater's The Piano Tuner (Afterdark award – Best Production). He pursued his MFA in directing from Northwestern University. He has taught acting, directing, and viewpoints at University of Michigan, Northwestern University, University of Chicago, Act One Studios, Columbia College and The School at Steppenwolf.